The first part of our special on Rome's "Giudizio Universale", where we talk about all things audio with Bose and Riedel.
2018 Russia World Cup – Exclusive Interview with Arlecchino’s Technical Director
LightSoundJournal had the opportunity to talk with the company’s Technical Director, Alexey Kazyulin, in an exclusive interview about all things “prod...
Braceworks Has Everything Under Control
Today, more than ever, the technology and the evolution of light simulation systems allow us to achieve more and more precise visualisation of lightin...
How to Choose the Right Lighting Fixture for Any Job
It doesn't matter how long you've been designing lighting for shows and events. What matters is how your end product looks. And moreover, how long did...
Interview with Victor Melendo – Sound Engineer @ VAV
The production of live events for TV are very demanding on audio resources, particularly in relation to the requirements of the mixing consoles that a...
Prolight + Sound Guangzhou 2018
A few weeks ago, following on in a tradition that has continued for some years now, we attended Prolight + Sound Guangzhou.
Eurovision 2018 – Lighting Europe’s Biggest Party
Since it's conception in 1956, the European-wide singing contest has grown exponentially whichever way you measure it - whether it be by number of ent...
How to Become an LD
A lighting designer’s job is more than just drawing funny symbols on drafting paper. This of course is typically part of the designer’s duties, but th...
Prolight & Sound Guangzhou 2018 – Pre-Show Interview
With only a few days to go before Prolight & Sound Guangzhou kicks off, we speak with the show's organising committee, including Ms Judy Cheung, D...
Prolight + Sound Frankfurt 2018 – Interview with Michael Biwer
We discuss the past, present and future of the fair, and attempt to forecast whether or not the future of the show is as clear and cloud-free as the s...