PL + S Shanghai - together with its sister event Music China - certainly represents one of the most important events for the eastern market within its...
Prolight + Sound Shanghai 2019 – Pre-Show Interview with Ms Judy Cheung
Ahead of the anticipated show, we speak with with Ms Judy Cheung (Deputy General Manager for Messe Frankfurt (HK) Ltd) about the show's past, present ...
PLASA 2019 – Show Highlights
We present out highlights from PLASA 2019, ahead of next year's move to Olympia's larger exhibition space.
Electric Love Festival – Communications
In order to gain a better understanding of the operations, we spoke with the event’s production manager, in order to to better understand the scope of...
ESC2019 – Interviews
Here we are with the second part of our report from the 2019 edition of the Eurovision Song Contest, featuring interviews with prominent technicians f...
ESC2019 – First Impressions
The first of our reports from this year's Eurovision Song Contest in Tel Aviv, as we take a first look at the technologies involved in the world's lar...
LightSoundJournal’s Guide to Entry Level Digital Mixers
In the first of a series of guides to "tools of the trade", we take a look at a range of affordable digital mixing consoles.
FX and Advanced Programming Explored
One of the most used, yet perhaps the least understood option on stage lighting consoles has to be the effects engine. In this article we are going to...
ISE 2019: Mike Blackman interview
On the last day of our stay in Amsterdam we had the opportunity to meet Mike Blackman, Managing Director of ISE, and talk about this year's edition of...
Interview with Tony Freire: behind the console of Carajo
Tony Freire has been working with audio for a long time. For several years he worked as an audio engineer in his studies, and for almost 20 years he h...