One of the most used, yet perhaps the least understood option on stage lighting consoles has to be the effects engine. In this article we are going to...
ISE 2019: Mike Blackman interview
On the last day of our stay in Amsterdam we had the opportunity to meet Mike Blackman, Managing Director of ISE, and talk about this year's edition of...
Interview with Tony Freire: behind the console of Carajo
Tony Freire has been working with audio for a long time. For several years he worked as an audio engineer in his studies, and for almost 20 years he h...
A visit to Equipson’s Headquarters in Valencia, again after 7 years…
I’m not long back from my recent visit to Valencia, where I had opportunity to visit the headquarters
Spotlight for Moscow’s Zaryadye Concert Hall
The opening of the Zaryadye Moscow Concert Hall, a significant event for the Russian capital, took place on the 8th of September 2018.
LDI 2018 – Show Report
One of the industry's most important events of the year has just come to a close. We are of course talking about LDI in Las Vegas, which celebrated it...
The Artistry and Finesse in Programming Moving Lights
Today’s modern consoles hand have made the process much easier, despite today’s moving stage lights becoming more complicated and full of features tha...
Interview with Fernando Díaz – Behind the console of Alejandro Sanz
Fernando Díaz is known for his current work accompanying Alejandro Sanz, but his credits also include artists such as Julio Iglesias or, recently, Ear...
Vectorworks 2019 – Interview with Dr. Biplab Sarkar
LightSoundJournal discusses Vectorworks' 2019 release with the company's CEO, Dr. Biplab Sarkar, in order to find out what keeps this particular softw...
Prolight + Sound Shanghai 2018
As we discovered from this year's show, there's certainly a great number of themes and attitudes that could act as inspiration for the show's European...