Adam lives and works in the South East of the UK. Since a young Age, Adam has had a strong interest in Music and Technology. Whilst Studying Physics, Adam attended East Sussex Academy for music to study Music Technology, before graduating with a Honours Degree in Audio Production from SAE London (School of Audio Engineering). He has engineered for a variety of bands and theatres across the UK, as well as performance venues across Europe.
To gain a greater insight into this year's edition of the show, we spoke with Mami Atarshi, a representative of Live Entertainment Expo TOKYO Show Management.
Ahead of the anticipated show, we speak with with Ms Judy Cheung (Deputy General Manager for Messe Frankfurt (HK) Ltd) about the show's past, present and future.
In order to gain a better understanding of the operations, we spoke with the event’s production manager, in order to to better understand the scope of such a huge project.
One of the most used, yet perhaps the least understood option on stage lighting consoles has to be the effects engine. In this article we are going to explore how effects are handled by some of today’s most popular consoles.
Today’s modern consoles hand have made the process much easier, despite today’s moving stage lights becoming more complicated and full of features that a stationary fixture couldn’t dream of.
LightSoundJournal discusses Vectorworks' 2019 release with the company's CEO, Dr. Biplab Sarkar, in order to find out what keeps this particular software suite ahead of the game.