Over 1000 Astera Fixtures provide Many WOW Moments for Herbalife Awards Event

Global nutrition company Herbalife honoured its topperforming sales force and distributors ina spectacular Awards event staged at the Los Angeles Convention Centre in March, a slick andelegant streamed showthat wasexecutive& technicallyproduced by Raj Kapoor Productions& Steffan Jonesfor CG CreativeStudios.
Tom Sutherland from DX7 Design designed the lighting and Julio Himede from Yellow Studio was tasked with the scenic design, and Tom’s lighting design featured 1,145 Astera AX5 battery operated wireless LED PARs!
This is to date one of the largest Astera installations worldwide!
The luminaires were amassed by lighting vendor Felix Lighting, which were picked for their outstanding quality of light to support this big and breath-taking aesthetic.
Tom’s starting point for the lighting was Julio Himede’s production design which featured a 160ft/ 49-metre-wideblack gloss stage and four massive modernist style moving LED video arches.
Tom decided to surround and accentuate this epic look with an enormous four-sided grid of LED PARs covering the roof,back and two sides of the stage.
In addition to the CEO addresses, presentations, speeches and awards action, a series of Herbalife training sessions took place over the seven show days, and there were five “WOW moments” comprising all-singing-all-dancing production numbers, three of which were directed by Emmy Award-winning choreographers Tabitha &NapoleonDumo (AKA Nappytabs) which added flourishes of glamour and entertainment.
“I really needed to emulate the impressive and large-scale aesthetic of the production design,” explained Tom,“and ensure that the whole area could be flooded with quality lighting really pushing and stretching the boundaries when people say ‘WOW!’”
He was looking for a bright, punchy LED PARwith a lens close to the edge of the lamp so the light sources could clearly be seen from any angle, and that could also become more orb-like, with the easy addition of a frost filter.
Nicole Barnes was the account handler at Felix Lighting, and she recommended the Astera AX5sto Tom, who confirmed the choice after a test.
Approximately half of the AX5s came from Felix’srental stock and Nicole co-ordinated sourcingof the rest, which was a mammoth task, pulling in fixtures from all over the country, “I believe we exhausted all of the then-available inventory in the US rental market,” stated Nicole Barnes.
A massivegrid wasflown over the stage area and truss tower systems installed along the back wall and around the sides, the 1,150 AX5s – all run wired for this project –were diligentlyand meticulously aligned and equidistantly spaced. This painstaking job wasthe biggestchallenge for the lighting department completed by the crew working in three 24-hour shifts over four days.
Tom explains that this finessing and attention to detail was essential to get the stunning, clean, high impactlook and sheer industrial scale that he and the rest of the creative teamwanted to evokeon the wide shots.
Apart from the AX5s, other lighting included a remote-controlled follow spot system for key-lighting, with the fixtures deployed on winches that flew in and out at the appropriate moments, maintaining the integrity and uninterrupted lines of the design. It was conceptually simple, but a physically hugely ambitiouslook which worked beautifully on camera and helped produce the result everyone wanted.
Tom’s FOH team included associate lighting designer Hunter Selby with lighting directors Brian Jenkins and Mike Berger.They all worked in close collaboration with art director Alana Billingsley in piecing the production together.
Tom concludes, “It was brilliant to be working with such a highly talented team with a great synergy, something of this scale takes many great minds to execute and deliver!
“A huge thanks to gaffer Chris Lopez, best boy Chris Roseli, staging supervisor Nick Vincenti, andhead rigger TK Woo from Kish Rigging and all the crew involved. The easy part is dreaming up the ideas, it is the skills, knowledge and lateral thinking– not to mention the fantastic camaraderie –of amazing crews like thesewho make it come alive.”
Nicole Barnes concludes that the final result was “stunning”, including the production and video design. “The on-site teams were impeccable in their execution of the rig; their work was flawless as seen in the final product. Felix is incredibly grateful to Tom and the Herbalife production team for the opportunity to be a part of this year’s project, and we look forward to supporting future designs created by this incredible team of visionaries!”
Info: astera-led.com

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