Swedish House Mafia Reform with GLP X4 Bars and JDC1 Strobe

Providing production design for one of the world’s biggest House group is a task enough in itself, not to mention when the group is performing together after 5 years apart. Swedish House Mafia (SHM) decided make this surprise headline performance at Ultra Music Festival in Miami with its surprise headline act, with production designer Andy Hurst designing the extravaganza.

Swedish House Mafia GLP X4 Bar JDC1

Already the show designer for Axwell and Ingrosso, two of the band members, he immediately turned to GLP’s LED catalogue, procuring 60 JDC1 hybrid strobe and 96 impression X4 Bar 20 from PRG in Las Vegas, knowing that SHM would be the closing act. “As the festival main stage design was changed one month before the show we had to work quickly to get a new SHM design signed off and ready in time,” he explained.

His main challenge was to interface with the existing house rig, supplied by AG Light and Sound. “We had to have our entire system set in 35 mins. 
In that time we had to fly our back wall, set our custom DJ riser and roll in our lighting, laser and pyro package.”

Swedish House Mafia GLP X4 Bar JDC1

Hurst is no stranger to GLP’s advanced solutions, having specified their products for many years on other acts with whom he has worked regularly, such as Prodigy and Faithless.
“I had seen the JDC1 at LDI and was impressed with the brightness and ability to provide lots of different effects,” he said. “We ran them in full 68-channel mode using all the attributes.

“The strobe effects were used to drive beats and nuances within the tracks, which they did perfectly.”

The Bars were used in a giant wall of light behind the artists on the 20ft x20 ft x16ft truss cube platform and also for a light wall on the DJ booth, where they were also used in full DMX mode.

Swedish House Mafia GLP X4 Bar JDC1

Andy Hurst had the opportunity to pre-programme the show at DMD Studios, with GLP supporting this by providing some fixtures to check programming in real life, along with the full size virtual rig that was created in the studio. “Having the fixtures when programming is always essential for me … as good as pre vis is, you can’t beat the real thing.”

And with more than 150 GLP elements joining lighting, laser, flying set pieces and pyro, it is no surprise that Andy Hurst was able to confirm that “the show was very well received and the guys loved it.” 

Info: www.glp.de/en

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