Clair Brothers unmasked at masquerade ball

An invitation-only masquerade ball takes place each year in the Liceu Theatre within the historically ornate ballroom known as Sala dels Miralls.

Live musicians perform while attendees dance and drink and laugh, each person a mysterious character for the evening. Unfortunately, in the past, because of the mirrored and marbled room’s highly reflective sound quality, the details of the music and the vocals were often equally mysterious. So, in its third year in 2018, the promoters of the Círculo del Liceo Masquerade Ball decided to fix the issue once and for all – with Clair Brothers.

VTècnics, Clair Brothers distribution partner in Spain, recommended using the new C12 speaker system to combat the daunting acoustical challenge. Explains Josep Maria Serra, VTècnics production manager, “An event that caters to high-society elite is expected to have everything perfectly executed. This includes the quality of the sound in the room. I knew what the challenges were; how high reflections make vocals impossible to understand and how hard surfaces muddy the music, especially the low-end. I also knew what speakers would solve the problem: The Clair Brothers C12s with iS218 subwoofers.”

Additional challenges were a result of the basic design of the Sala dels Miralls. Due to its grand artistic architecture, hanging the PA from the ceiling is expressly forbidden; as is building the system up from the ground, an aesthetic impossibility. The only other option was to stack the PA, which can make things more difficult for obvious reasons of close proximity to attendees of the ball. “Fortunately, the C12 is the only line array pleasant to hear at very close distances,” says Mr. Serra. “So, having some of the audience standing or dancing less than one meter from the stack is not an issue at all.”

Francesc Güell, grand public-address systems fine-tuner and partner at VTècnics reports: “The C12 system sounds so pleasant. The drummer’s hi-hats and crash cymbals were precise and not harsh at all at such close distances and the details of each instrument were perfectly defined. And the iS218 was a tremendous help with the low-end thump. The masquerade ball has never sounded as good as it did this year because, well, the Clair Brothers C12 is a much better system than we’ve ever had before. It’s that simple.”


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