Live Entertainment Expo TOKYO, this year in its 4th edition, is an event dedicated to all things "production".
We take a first look at Vectorworks, one of the most complete software packages for Building Information Modeling (BIM) and planning.
LightSoundJournal.com went to Recanati to take a closer look into Frenexport, a company with 40 years in the industry.
In this interview Ariel shares details of the preparation, of the equipment used, and also tells how were his beginnings to get to work in the most pr...
We speak with Green-GO about the past, present and future of their unique approach to communications.
LightSoundJournal took the opportunity to speak with the Deputy General Manager for Messe Frankfurt (Shanghai) Co Ltd, to gain some reflective thought...
We look at the adjustments and improvements made to the Lighting market at Prolight & Sound 2017.
We provide a run-down of this year’s most interesting and prominent developments in the world of professional audio.
A first look on the Frankfurt exhibition that was particularly important to us and that ended with some cause for serious reflection
We share our post-show thoughts on the Guangzhou edition of Prolight & Sound, which this year celebrated its fifteenth birthday.
LightSoundJournal visited the Carnival of Venice to experience the new Void Incubus system.
Gunther Hecker talks about his company Cue Design, his philosophy when it comes to show design, and why he doesn't consider himself an artist.
Interview with Michael Biwer, Group Show Director „Entertainment, Media & Creative Industries“, Messe Frankfurt Exhibition GmbH
With just four weeks to go to Prolight + Sound / Musikmesse, ZioGiorgio asked Group Show Director Michael Biwer for some predictions on the show.
ZioGiorgio takes a trip to Madrid to produce an exclusive report on the launch event for the Spanish loudspeaker manufacturer's brand new Sound Force ...
Loud music feels good. However, constant loud sound can impact your hearing for life.